The Music Of Music Videos - 1085 Words

Music videos have become very prominent since the 1970s, and one music video that really intrigues me is Norwegian rock band A-ha’s â€Å"Take on Me†. Released in 1985, â€Å"Take on Me† was a huge hit for A-ha, although the band failed to create future songs with similar popularity. Even though the band was only relevant for a short period of time, their song is generally considered to be one of the biggest hits of the 1980s. The genre of the song was new wave, which was popular at the time, and the instrumentation is easy to dance to. The high pitch vocals that lead singer Morten Harket belts out in the chorus are also memorable. What made the song famous, however, was not necessarily the music but the video. The music video is unique in that most†¦show more content†¦In the start of the video, several comic strips present the start of a race. In the comic, Harket has his vehicle at the starting line. Other men which appear to be enemies are also behin d the line. The music at the beginning creates a tense scene with percussion and some keyboard playing. A man beside the track raises the starting pistol and pulls the trigger. The vehicles immediately bolt and the music introduces the famous keyboard chord played throughout the song. The vehicles are racing one another, and the flagbearer at the finish line raises the flag to declare the winner. The video immediately moves on to the next scene, at a live-action cafà ©. A young woman is the one reading the comic, and it’s revealed in it that Harket is the champion of the race. He is also heard in the background singing the first verse: â€Å"Talking away I don’t know what I’m to say I’ll say it anyway Today’s another day to find you Shying away, I’ll be coming for your love, OK?† The first section of the song connects to the video when the picture ofShow MoreRelatedThe Music Of Music Videos1557 Words   |  7 PagesThe development of music videos throughout many years has changed rapidly due to the relationship between media forms and platforms of different media kind of texts. Some issues in contemporary music videos are from the evolution of new technologies, social media and politics. Thus, artists throughout time have taken advantage of music videos in order to use it as a site for debates about politics of representation. Nowadays the majority of music videos are transforming and turning into short filmsRead MoreThe Music Of Music Videos Essay1714 Words   |  7 PagesMusic composed for television generate another realm of modes and codes that differ even from the coding within film. Television has the opportunity to utilise music as an instrument for supporting narratives within television series and as means for marketing through commercials. Blaine Allan, explores the relationship between music and television within his journal article, Music Cinema, Music Video, Music Television. The main focal point of this resource is the function of visual aspects withinRead MoreThe Video Is A Music Video1091 Words   |  5 PagesMe!Me!Me! is a music video and animated short that was created for the Japan Animator Expo in 2014, but was released in the US in 2015 through Vimeo with English subtitles. The song in the video was made by the electronic music artist Teddyloid feat. Daoko, a Japanese singer. The audience of this video would be all fans of anime and electronic music, i.e. presumably young people who proactively use electronic devices. The video is set in three main sequences, each revolving around the main characterRead MoreMusic in Video Games1382 Words   |  6 PagesMusic In Video Games Throughout the history of the video game industry, there has been many changes concerning music in video games. Music in video games progressed greatly within the life of the industry from 1972 to the present. These progressions can be seen as improvements in quality which includes an increase in the number of output channels, an increase in song length, a great improvement in the quality of timbres, and also a general shift from non- programmatic music to programmatic musicRead MoreMusic Video : The Suburbs1437 Words   |  6 PagesThe music video I’ve chosen for my music video analysis essay is â€Å"The Suburbs†. â€Å"The Suburbs† was released 1 June 2010 by the Canadian indie-rock band known as Arcade Fire and was a single from the album The Suburbs. What’s cool about this music video is that the video footage used for the song is just scenes taken from a short film called â€Å"Scenes from the Suburbs.† â€Å"The Suburbs† revolves around a group of teens. At first these teens are riding their bikes and playing in what seems to be some suburbsRead MoreThe Music Video Beyonce1750 Words   |  7 PagesNarrative Perspective During the duration of the music video Beyoncà © makes numerous references to historical events. She uses these references as a way to illustrate the story and educate the morals behind them. For example, Beyoncà © purposely uses the sinking New Orleans police car to demonstrate the story behind the event. The narrator, Beyoncà ©, visually communicates the story of how Hurricane Katrina traumatically demolished the city of New Orleans. By laying on the sinking police car she is simplyRead MoreThe Purpose Of Music Video2471 Words   |  10 PagesPURPOSE OF MUSIC VIDEO The overview requirements: ï‚ § Promotional ï‚ § Extension of income ï‚ § Extension of outlets (music channels, DVD and CD sales, website download) ï‚ § Synergy ï‚ § Producers strategies (major label and independent) History Modern music videos were initially made and used as a publicizing device intended to promote the sale of music recordings. They are often called ‘promos’. In 1940, Walt Disney created ‘Fantasia’, an animated film based around famous piece of classical music. TheRead MoreThe Music Video For Their Anthem920 Words   |  4 Pages Kendrick Lamar Duckworth often references the experience of sitting on his father’s shoulders at the age of 8, watching West coast hip-hop legends Dr. Dre and Tupac film the music video for their anthem to the Golden State, â€Å"California Love† as the spark that ignited his creative bonfire. Born on June 17, 1987 to couple who moved from Chicago to Compton with only $500 to their names in order to escape the gang lifestyle, Lamar was exposed to guns, drugs, and violence at a young age. â€Å"I m 6 yearsRead MoreEntertainment Media Ethics : Music And Music Videos8248 Words   |  33 PagesENTERTAINMENT MEDIA ETHICS: MUSIC AND MUSIC VIDEOS SECTION ONE: INTRODUCTION Music is an important part of life. Its role as a form of art and entertainment is a significant one but more important is that it serves to reflect and reinforce societal norms and values. It is not only used to entertain but also serves as a form of social commentary (Baran, 2009). For instance, the emergence of Rhythm and Blues (RB) in America after the Second World War was a means of advancing the black race and itRead More Music In Video Games Essay1361 Words   |  6 Pages Music In Video Games nbsp;nbsp;nbsp;nbsp;nbsp;Throughout the history of the video game industry, there has been many changes concerning music in video games. Music in video games progressed greatly within the life of the industry from 1972 to the present. These progressions can be seen as improvements in quality which includes an increase in the number of output channels, an increase in song length, a great improvement in the quality of timbres, and also a general shift from non- programmatic

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Prison and the War on Drugs Free Essays

UNIVERSITY OF PHOENIX Prison and The War on Drugs Week One Assignment CJA 234 [Type the author name] 10/4/2011 ? Prison and the War on Drugs. The war on drugs has been implemented for more than 30 years. Currently, there are close to a half million persons imprisoned on drug charges in this country. We will write a custom essay sample on Prison and the War on Drugs or any similar topic only for you Order Now That is a tenfold increase over the 50,000 in 1980. (jrank. org, 2011) In the past few years, close to $40 billion has been spent annually fighting the war on drugs. As a result of the drastic increase in drug-related arrests and convictions, the United States currently has the largest prison system in the world. The majority of these are nonviolent criminals. The estimated prison population is around nine million. The United S accounts for approximately a fourth of this number. â€Å"With an incarceration rate of 724 per 100,000 inhabitants, the United States is the unchallenged world leader in both raw numbers and imprisonment per capita In terms of raw numbers, only China, with almost four times the population of the US, comes close with about 1. 5 million prisoners. Our closer competitors in incarceration rates are Russia (638 per 100,000) and Belarus (554)†, according to the British government’s World Prison Population report (National Archives, 2003). Currently, the majority of police departments have paramilitary units, or SWAT teams, many of which have received their training from military instructors. One of the main duties of these teams is to carry out drug-related search warrants. Many of these are what are called ‘no-knock’ entries, which means the officers are authorized to enter the premises to be searched without any warning to the occupants. This is so the suspects do not have time to either flee or hide or destroy any evidence. The sudden increase of drug-related arrests and convictions is one of the main causes of the current prison overcrowding situation. The overcrowding makes it very difficult for the prison staff to handle the inmates and causes some of the conditions for inmates to be less than optimal. Although the incarceration rates for crimes such as murder, robbery, and burglary have remained steady during this time, the rates for drug-related crimes have steadily risen. Currently, more than half of the prisoners in federal prison federal are there because of drug possession or drug use. This has caused the federal prison system to be much overloaded. State prisons are overcrowded as well, but because many drug charges are federal offenses, they are not affected as much. According to the Bureau of Justice Statistics, people sentenced for drug crimes accounted for 21% of state prisoners and 55% of all federal prisoners (Stop The Drug War. org, 2005). Since the war on drugs started in the 1980’s, many of the inmates in the prison system are on violent drug users or small time traffickers who pose little danger to the community. Most of these inmates could benefit more from treatment and rehabilitation programs rather than incarceration. Although most prisons today have these sorts of programs, it is much more financially logical to have them attend these programs without needing to pay to house them at the same time. The state of Arizona has adopted a policy in which all addicted offenders from prisons to probation. This is the result of a referendum labeled the Drug Medicalization, Prevention and Control Act, which was approved by voters by a 65 to 35 percent margin (National Archives, 2003). An appeals court judge has pointed out that compared to the typical Arizona offender who now gets probation and treatment, â€Å"the same guy in the Federal system is going to get a mandatory five-year sentence† (Wren, 1999). This action has reduced the number of inmates and increased the number of drug offenders receiving treatment. Although Arizona is the only state that has an automatic diversion system, other states have started using drug courts. These divert nonviolent drug offenders into community-based treatment programs. Several states are also instituting early release programs for nonviolent offenders. A popular program, which has proved to be very effective, is shock incarceration, commonly known as Boot Camp. The inmates are subjected to a regimen very similar to military basic training. The combination of physical exercise along with education, and strict discipline as proved to have a higher success rate than other programs in the past. I believe that the war on drugs has resulted in more people being arrested and convicted on drug-related charges, but has not really done much to reduce the actual number of drug offenders. Merely incarcerating them is not the solution. I believe that diversion and intensive treatment and rehabilitation programs will go a lot farther that simply locking the offender s up. Without education and reconditioning, they will just go right back out and resume their former lifestyles and activities. Another factor is that while many of those convicted of drug-related offenses are nonviolent and often first time offenders, the same cannot be said of the other inmates they will be exposed to and influenced by during their incarceration. They may come out of prison in a worse state than when they entered it in that respect. In my opinion, intensive rehabilitation, treatment and supervision programs will have a much better, long lasting effect than incarceration for these types of offenders. References JRank. org, Prisons: Problems and Prospects – Prisons And The War On Drugs. , (2011). Retrieved from: http://law. jrank. rg/pages/1809/Prisons-Problems-Prospects-Prisons-war-on-drugs. html#ixzz1d4GEsfNO National Archives, World Prison Population List, fourth edition, (2003). Retrieved from: http://webarchive. nationalarchives. gov. uk/20110218135832/http://rds. homeoffice. gov. uk/rds/pdfs2/r188. pdf Stop The Drug War. org, Drug War Prisoner Count Over Half a Million, US Prison Population at All-Time High, (2005). Retrieved from: http://stopthedrugwar. org/chronicle-old/409/toohigh. shtml Wren, Christopher S. â€Å"Arizona Finds Cost Savings in Treating Drug Offenders: Probation Program, not Prisons, for Addicts. † New York Times, 21 April 1999. How to cite Prison and the War on Drugs, Essays

Sample Essay on Organizational Justice under Law

Organizational justice, by definition, is the idea that a business activity or decision is morally correct in context of law, equity, fairness, religion, and ethics (DeConick 2010). This organizational justice behavior is greatly affected by certain aspects, including interactional, procedural, and distributive. These aspects are the integral components of organizational justice and differently influence the effectiveness and efficiency of organizational justice. Distributive organizational justice is defined as the justice related with distribution of resources and outcomes of decision made. However, the resources or outcomes distributed can either be intangible such as a positive appraisal or tangible such as adequate pay (DeConick 2010). The same is fostered in the situation where the outcomes are equally executed. The procedural organizational justice is conceptualized as the equity of the processes which result into effective outcomes (DeConick 2010). When the stakeholders associated with a company recognize their rights or if the concerned processes lacks bias or involves the characteristics such as ethicality, accuracy, and consistency, this aspect of organizational justice is fostered. Interactional justice, on the contrary, is defined as the treatment that can be promoted through delivering the news with respect and sensitivity, or the treatment that is offered to a person as decisions are made (DeConick 2010). This aspect is further divided into informational and interpersonal justice where the former refers to the efficiency of explanations made in the context of truthfulness, specificity, and timeliness. Similarly, latter refers to the perceptions of propriety and respect in an individuals treatment. Thus, it is evident that each of the discussed aspect alters the organizational justice behavior differently as each of the same follow different criteria to reach its decision. References DeConick, B., 2010, The effect of organizational justice, perceived organizational support, and perceived supervisor support on marketing employees level of trust. Journal of Business Research, vol. 63, no. 1, pp. 1349-1355.